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Black Arthur Blythe* - Bush Baby (Vinyl, LP, Album) download full album zip cd mp3 vinyl flac


Download Black Arthur Blythe* - Bush Baby (Vinyl, LP, Album)
1978
Label: Adelphi Records Inc. - AD 5008 • Format: Vinyl LP, Album • Country: US • Genre: Jazz • Style: Free Jazz

Arthur Blythe Metamorphosis. Altoist Arthur Blythe's first two recordings as a leader, The Grip and Metamorphosis, were recorded at the same concert; all of the two LP's contents are on this single CD. Blythe was already quite distinctive and an impressive improviser at Black Arthur Blythe* - Bush Baby (Vinyl early stage, a year before he Album) with Columbia. His sextet which consists of trumpeter Ahmed Abdullah, cellist Abdul Wadud, tuba player Bob Stewart, drummer Steve Reid and percussionist Muhamad Abdullah performs seven of Blythe's challenging originals and "Spirits LP the Field" while the minute "Duet for Two" is a free collaboration by the leader and Wadud.

With Craig Harris. With the Music Revelation Ensemble. With the World Saxophone Quartet. From Wikipedia, the free encyclopedia. Arthur Blythe. All Media Network. Retrieved March 28, Jazz Cooks. All About Jazz. Retrieved March 10, — via robertchristgau. The New York Times, LP. The San Diego Union-Tribune. Blythe counts this loose session as a paean to Harlem, where the assemblage of sounds and rhythms along Lenox Avenue translates into an amalgam not unlike the mix of James "Blood" Ulmer's funk-painted guitar strum backed by the twin engines of drummer Jack DeJohnette and percussionist Guillermo Franco, each of whom makes a sky-crying racket.

They do so, surely, in a fit of inspiration, sitting as they are behind a potent frontline: Blythe on alto sax; James Newton on flute; and Bob Stewart on tuba.

A tuba on the frontline? Well, in truth, these chaps are all playing the frontline, really. Newton's so revolutionary on the flute that his Rahsaan Roland Kirk-isms make for great rhythm, and his intricate LP Dolphy-isms cut sharp harmony. Blythe takes his notes seriously as little living things, but his art is in the web work and the melodies.

Stewart plays the chameleon, doing tempo a while and then showing slippery riffs galore to the band. Very little in jazz--much less major-label jazz, which this was--around could match Black Arthur Blythe* - Bush Baby (Vinyl recording. Zen Archer February 22, at PM.


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8 Comments

  1. Nikoshura   Nitaxe
    Apr 06,  · Label: Adelphi Records Inc. - AD • Series: Adelphi Jazz Line • Format: Vinyl LP, Album • Country: US • Genre: Jazz • Style: Free Jazz Black Arthur Blythe* - Bush Baby (, Vinyl /5(23).
  2. Maubei   Fenrira
    View credits, reviews, tracks and shop for the Vinyl release of Bush Baby on Discogs. Label: Echo Jazz - ECJ • Format: Vinyl LP, Album • Country: UK • Genre: Jazz • Style: Free Jazz Black Arthur Blythe* - Bush Baby (, Vinyl) | Discogs/5(2).
  3. Tygozragore   Dumi
    VINYL LP RECORD ALBUM. Tracks are: Mamie Lee; For Fats; Off The Top; Bush Baby.
  4. Maucage   Akinot
    Apr 06,  · Discover releases, reviews, credits, songs, and more about Black Arthur Blythe* - Bush Baby at Discogs. Complete your Black Arthur Blythe* collection/5(26).
  5. Yozshujind   Gur
    Aug 30,  · Bush Baby, an Album by Arthur Blythe. Released in on Adelphi (catalog no. AD; Vinyl LP). Genres: Avant-Garde Jazz. Featured peformers: Arthur Blythe (alto saxophone), Ahmed Abdullah (aka_text conga role_id aka_text), Bob Stewart (tuba)/5(15).
  6. Taubar   Mezigami
    Arthur Blythe- Bush Baby (adelphi lp ad) ,FLAC and lame Heres a great one, given to me in person recently by our man in Melbourne " Serviceton".. Unusual instrumentation makes this somewhat more austere perhaps than his contemporaneous output, very beautiful nonetheless.
  7. Moogujin   Vuzahn
    Label: Columbia - JC • Format: Vinyl LP, Album, Promo • Country: US • Genre: Jazz • Style: Free Jazz, Contemporary Jazz Arthur Blythe - Illusions (, Vinyl) | Discogs Explore.
  8. Taurr   Voodoojin
    Arthur Murray Blythe (July 5, – March 27, ) was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying "one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing" and furthermore as straddling the avant garde and traditionalist jazz, often with.

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